Artificial Potatoes

This recipe has been on my mind for a while. What are Artificial Potatoes? And WHY are they? I wanted to solve the mystery of the Artificial Potatoes. (The Mystery of the Artificial Potatoes: title for my first novel?) I couldn’t quite imagine from the recipe even what they would look or taste like, which is the perfect justification for a culinary experiment.

This recipe comes from Ms. Codex 1038, home to one of my favorites thus far: the Desart Cakes (which I mentally pronounce as “DeSART Cakes,” just because it’s fun). This is one of the first recipes in the book. Potatoes were introduced into England by the late seventeenth century, so the writer of this late-eighteenth-century recipe would have been familiar with “real” potatoes.

While we frequently notice recipes that crop up across multiple cookbooks (particularly for puddings), we haven’t come across another one for Artificial Potatoes. Curious, I ran a search through Eighteenth-Century Collections Online, an invaluable digital database of texts published between 1700 and 1800. And I found something interesting. Even with variant searches, only one recipe for Artificial Potatoes comes up, in Eliza Smith’s The Compleat Housewife: or, Accomplish’d Gentlewoman’s Companion (1742, 11th ed.; the recipe appears through the 18th ed., 1773). While I’m sure there are other Artificial Potatoes recipes out there in manuscript and in print, this scarcity is striking. Our manuscript recipe is worth comparing with Smith’s:

Artificial Potatoes for Lent: A Side-Dish; Second Course.

Take a pound of butter, put it into a stone mortar with half a pound of Naples-bisket grated, and half a pound of Jordan almonds beat small after they are blanched, eight yolks of eggs, four whites, a little sack and orange-flower-water; sweeten to your taste; pound all together till you don’t know what it is, and with a little fine flour make it into a stiff paste, lay it on a table, and have ready about two pounds of fine lard in your pan, let it boil very fast, and cut your paste the bigness of chesnuts, and throw them into the boiling lard, and let them boil till they are of a yellow brown; and when they are enough, take them up in a sieve to drain the fat from them; put them in a dish, pour sack and melted butter; strew double-refin’d sugar over the brim of the dish.
(E[liza] Smith, The Compleat Housewife [London, 1742, 11th ed.], 131-32)

That Smith identifies these Artificial Potatoes as a Lenten dish is intriguing. I don’t know of a reason why real potatoes might be off-limits during Lent, or why these fried dough balls should be particularly suited to Lent. (Any insights are welcome!) It’s also good to note that Smith identifies these as “a Side-Dish; Second Course” – not, in other words, as dessert. What we might think of as a dessert because of its ingredients (ground almonds, biscuit crumbs, sugar, flower water) wasn’t necessarily so for eighteenth-century eaters.

Smith’s recipe raises another question: what should these Artificial Potatoes look like? I assumed that they would be small and round, like new potatoes, “the bigness of chestnuts,” as Smith’s recipe directs. But the Ms. Codex 1038 recipe writer directs the cook to “Cut them into what shapes you like,” which sounds more like a flat roll-out cookie. As we’ll see, I tried both ways. But before shaping the Potatoes, I had to gather the ingredients.

 

Recipe within a Recipe: Naples Biscuits

As if these Artificial Potatoes weren’t mysterious enough on their own, they required some additional sleuthing for one of their ingredients. The recipe calls for “Naple Biscuits,” or Naples biscuits, but doesn’t provide a recipe. Research time! Naples biscuits are rosewater-flavored dry biscuits baked in small rectangular tins, similar in texture and size to our ladyfingers. Naples biscuits feature in a range of early modern recipes – for puddings, mince pies, even a possett drink. (Biscuit-crumb-enhanced cold possett? We might need to try that one.) They’re typically grated into crumbs and used as a thickening agent rather than left whole. But how to make them? Ms. Codex 1038 doesn’t contain a recipe, so I turned again to ECCO to search for Naples biscuits (or biskets). Interestingly, while a lot of eighteenth-century cookbooks call for Naples biscuits, sometimes in as many as eight recipes, they almost never include a recipe for them. My search yielded only a few recipes. This suggests either that the basic recipe was so well-known that it didn’t need to be given or, more likely, that cooks would buy Naples biscuits already made, just as we often do with ladyfingers.

I used Elizabeth Cleland’s New and Easy Method of Cookery (1759) for reference:

To make Naples Biscuits.

Take a Pound of fine Sugar pounded and sifted, a Pound of fine Flour, beat eight Eggs, with two Spoonfuls of Rose-water; mix in the Flour and Sugar, then wet it with the Eggs, and as much cold Water as will make a light Paste; beat the Paste very well, then put them in Tin Pans. Bake them in a gentle Oven.
(Elizabeth Cleland, A New and Easy Method of Cookery [Edinburgh, 1759])

My version, which halves Cleland’s:

4 eggs
1 tbsp. rosewater
1/2 lb. sugar
1/2 lb. flour

Beat eggs and rosewater (by hand or with a mixer) until frothy; add sugar and flour and beat thoroughly, until lighter in color and very well blended. If dough seems too heavy or dry, add 1 tsp. cold water at a time. (My batter held together nicely at this point, similar to a pound cake batter. Since another Naples biscuit recipe I looked at didn’t call for the addition of cold water to thin the batter, I left it out. I might try it next time to see if the water produces a slightly lighter biscuit, but these turned out just fine.)

Bake in greased madeleine pans, filled with 2 tbsp. batter each, for 14 mins. at 350F. They should be firm to the touch, lightly browned around the edges and on the scalloped bottoms, but the tops won’t have much color. Turn onto a wire rack and cool completely. Makes 20 madeleines. (Mini-muffin tins would also work.)

These Naples biscuits aren’t showstoppers, and they don’t clamor to be eaten by themselves, though I nibbled on one while making the Artificial Potatoes. They’re dense, dry, and nicely rosewater-y, and that’s about it. I understand why they were used more often as ingredient than eaten as a stand-alone treat.

IMG_4459

 

The Main Recipe

artificial potatoes
To make Artificial Potatoes.

Two Ounces of Almonds beat with a little Sack or Orange-flower Water,
2 Ounces of Naple Biscuits, 4 Ounces of Butter, 2 Eggs, but one
of the Whites, and Sweeten it with fine Sugar, beat them altogether
’till it is fine, then Mix it up with Flower to a Stiff paste, Cut them into
what shapes you like, and fry them in lard — There must be a little
melted butter sent up with them.

 

Our Recipe

2 oz. (heaping 1/2 c.) ground almonds
2 oz. Naples biscuits [2 madeleines], grated or pulsed in a food processor into crumbs*
3/4 c. flour
4 oz. (1 stick) butter, softened
4 tbsp. sugar
1/2 tsp. orange flower water (optional; you could also use sherry or rosewater)
1 egg
1 egg white
oil for frying**

Combine dry ingredients (almonds, biscuit crumbs, flour) and set aside. Cream the butter and sugar, then add the orange flower water, egg, and egg white and mix until well-combined. Dough should hold together and be soft but not too sticky.

Shape dough in one of two ways:

1) Cut or pinch off about a tbsp. of dough and roll it in your hands until fairly round. Repeat. (I also flattened these round balls slightly for one round of frying; they cooked through somewhat better.)

2) Chill dough for 10 mins. to let it firm up a bit, then roll it out on a floured board to about 1/4″ thick; punch out rounds with a cookie cutter. Smaller rounds (1.5 to 2″) are best.

Line a plate with paper towels. Heat 2 tbsp. oil (see **Note) in a skillet at medium-high heat and fry the Potatoes in batches, giving them a few minutes on each side, until golden-brown. As the Potatoes are done, place them on the lined plate to absorb excess oil. I didn’t think they needed the flourish of extra melted butter on the side, but then again, melted butter never hurt anything.

*Note on pulverizing the biscuits: I grated mine on a box grater, but since the edges are quite hard, the process was pretty messy and I ended up with uneven crumb size (powdery from the edges, larger from the softer centers). I’d use a food processor next time.

**Note on frying: The original recipe calls to fry the Potatoes in lard, but I don’t exactly keep lard on hand. I fried the first batch in butter, which gave them a lovely browned-butter taste … until, of course, the butter solids started burning. I switched over to oil and had more success. So, fry in your preferred fat.

Clockwise from left: round ball, flattened ball, cut-out round

 

The Results

As sometimes happens with long-anticipated recipes, these were somewhat underwhelming. I’m still not sure what they should look like: it makes the most sense that they would look like small potatoes, but rolling and cutting them out bakes them more thoroughly and avoids a doughy center. Whatever shape, taste-wise they’re fairly bland. They’re also slightly greasy from being fried; I might actually try this recipe again but bake the rounds, just to see if they would work as cookies.

However, this experiment has taken the edge off my Artificial Potato curiosity. And now I have more than a dozen Naples biscuits in my freezer just waiting to thicken more dishes down the line.

to make an orange puding

It’s citrus season in southern California. My weekly farmer’s market is full of varieties I’ve never seen before. On the freeway this week, I drove past a truck pulling two caged trailers almost overflowing with small oranges. It inspired me. Later that day I decided to try this recipe for an “orange puding” from Ms. Codex 252 because I had all the ingredients in my kitchen: navel oranges, eggs, sugar, and butter. I also had some leftover pastry in the freezer, but making a batch from scratch would only add salt and flour to that ingredients list! This dessert is somewhere between a modern pudding and a custard pie and it captures the powerful taste of oranges.

The Recipe

orange puding

to make an orange puding

Take the rinds of 3 oringes boyle them in 3 watters ore 4 till they be tender
then beat them in a morter put to them 5 eggs leaue out 2 whitts; halfe a pound
of sugar and halfe a pound of butter beat all together tell it be well mixt then put
it in a Dishe with a littell puffe paest Crust one the top and the Bottom

Our Recipe

I made very few changes to this one. I halved the quantities to try it out in a smaller pan, so I’ve included full and half ingredients below. I also decided to make a lattice top for the pie instead of completely enclosing the custard. This allowed me to keep an eye on how it was cooking. It also allowed the top of the custard to form a beautiful, crunchy crust that added a great texture to each bite.

Full                                                                         Half

3 oranges                                                               1 1/2 – 2 oranges, depending on size
5 eggs (3 whole, 2 yolks)                                     3 eggs (2 whole, 1 yolk)
1/2 lb sugar (1c)                                                   1/4 lb sugar (1/2 c)
1/2 lb butter, soft (2 sticks or 16 T)                  1/4 lb butter, soft (1 stick or 8T)
1 batch pastry (Use your favorite pie crust recipe here. I used Mark Bittman’s recipe from How to Cook Everything)

Prepare your pastry and follow instructions on chilling or resting.

Preheat the oven to 350 F.

Peel the oranges carefully, avoiding the bitter white pith. Put the orange rinds into a small saucepan with a cup of water, cover, and bring to a boil. Simmer until the rinds are tender. Set aside to cool.

Butter an ovenproof pie dish. Roll out the pastry and place the bottom crust in the ovenproof dish.

When the rinds are slightly cooled, blitz them in a food processor until they form a bright orange paste. If the food processor is large you may need to scrape down the sides a few times. A mortar and pestle (as the original recipe instructs) or simply chopping the peels finely will also work here.

Cream together the butter and sugar. Either do this by hand, use a standing mixer, or a handheld mixer. Add cooked orange rinds and eggs. Mix until the custard becomes slightly fluffy. Pour into the prepared crust.

Top with a lattice crust, a full crust, or simply leave the custard open.

Bake for 45 minutes. (I checked at 30 minutes and checked every 5 minutes thereafter.) The pie is cooked when the crust is golden and the custard sets –a tester inserted in the center should come out clean.

The Results

At first I wasn’t sure about this one. When I sliced the pie and took my first bite the butter from the custard and the crust was completely overwhelming. But the next day I had friends over to try some archival desserts (stay tuned for more) and my second slice was divine. A day later, the orange flavor had deepened and the butter no longer dominated. I refrigerated the pie overnight, but let it come to room temperature before I served it the second day. This would be a great recipe to make a day in advance of a dinner or gathering.

Although I’m never one to say no to pastry, I think this pudding might be tastier as a crust-less custard like the “carrot pudding” we made a few months ago. This variation would also inevitably decrease the amount of butter in the dish and perhaps render my previous comment irrelevant.

Whether you have too many oranges on your hands or just want to cook something with citrus that tastes bright and fresh, “orange puding” is a quirky winter treat.

 

 

 

 

Potingall/Portugal Cakes

This recipe has also been featured in the Washington Post, in Sarah Kaplan’s wonderful article on our project.

Check it out here.

Like the fantastic Desart Cakes, these Potingall Cakes caught my eye because of their intriguing name and relatively simple ingredient list. Unlike the Desart Cakes, which are what we would call cookies, these are little cakes. And pretty tasty ones at that.

This recipe comes from the first volume of UPenn Ms. Codex 631, dated 1730. (This two-volume collection has become one of our favorites.) “Potingall” is probably a stand-in for “Portugal,” since the recipe closely resembles the fairly common recipe for “Portugal cakes” found in many seventeenth- through nineteenth-century cookbooks. Getting “Potingall” from “Portugal” doesn’t seem unreasonable: the two words are visually similar, and the writer copying the recipe into Ms. Codex 631 could have been working from another recipe that was difficult to read or itself mistaken. (Like an eighteenth-century game of telephone!) “Portugal” named a type of orange in the period and might refer to the recipe’s use of orange flower water. However, Portugal cakes’ name more probably relates to one of their ingredients: sack, a sweet, fortified white wine originally produced in Portugal.

The Recipe

potingall cakes

To Make the Potingall Cakes

Take a pound of flower well dryed & a pound of Loafe sugar beat fine searce them
both & mingle them together, then take a pound of Butter & wash it well in rose water
or orange flower water, then work it well in your hand till it be all very soft & then strew
in your sugar & flower by degrees tell (i.e. till) it be half in, still working it with your hand, then put
in 6 yolks of eggs & 5 whites & beat them up with two spoonfulls of sack, then by degrees
worke in the half of the sugar & flower & when your oven is hott, then pick wash & dry a
pound of Currants over the fire, your pans must be ready Buttered, then fill them half full
& scrape double refine sugar on them, Let your oven be pritty hot & set up the Lead

Our Recipe

[Note: I halved the recipe because these cakes taste best within one to two days.]

1/2 lb. all-purpose flour

1/2 lb. granulated sugar

pinch of salt

1/2 lb. [2 sticks] unsalted butter

1 tsp. rosewater or orange flower water*

2 whole eggs + 1 egg yolk

1 tbsp. sherry**

scant 1/2 lb. currants

optional: sugar for sprinkling on top

Preheat oven to 350F. Butter, coat with cooking spray, or line your pans.***

Mix together flour, sugar, and salt; set aside.

In a stand mixer or with a hand mixer****, cream the butter and flower water until light and fluffy.

With the mixer running at low speed, blend half of the flour mixture into the butter mixture; scrape down the bowl. Add the eggs and sherry, then mix at low-medium speed until combined; scrape down the bowl again. With the mixer at low speed, add the rest of the flour mixture; mix until the batter looks uniform. Add the currants and mix at low speed until they are distributed evenly.

Spoon batter into your pans (a cookie scoop works nicely here) and even out slightly with a buttered spatula. The cakes won’t rise much during baking but bake best as smaller cakes, so fill madeleine pans to the top, mini-cupcake pans nearly full, and cupcake pans 1/2 to 3/4 full. Optional: lightly sprinkle granulated sugar on top. (This adds a slight sparkle to the cupcakes but isn’t essential to their taste.)

Bake until cakes are firm to the touch at the center and golden brown around the edges. (A toothpick inserted into a cake should come out clean.) This will take around 12-14 mins. for mini-cupcakes, 14-16 mins. for madeleines, and 18 mins. for cupcakes. Let cool in pans for 3-5 mins., then remove onto cooling racks.

NOTES:

*Note on flower water: I tried these with both rosewater and orange flower water; I preferred the rosewater version because the flavor was subtler, but both flavorings played nicely with the currants.

**Note on sherry: I replaced sack (a sweet, fortified white wine) with the similar and more readily-available sherry. If you prefer a non-alcoholic cake, orange juice or white grape juice (or water) would most likely be a fine substitute. Raisins could also substitute for currants in a pinch.

***Note on pans: This recipe works best as small cakes: cupcakes, mini-cupcakes, or madeleines, for example. Use whatever combination of pans you’d like. The recipe yields approx. 18-32 cakes: 12 large madeleines (filled with 3 tbsp. batter each) + 6 cupcakes / 12 small madeleines (filled with 2 tbsp. batter each) + 10 cupcakes / 24 mini-cupcakes + 8 cupcakes.

****Note on mixing: In the spirit of updating this recipe to modern kitchens, I used a stand mixer rather than blending the dough by hand. However, the original method would also work – and be satisfyingly messy.

The Results

These are not light and fluffy cakes. They’re moist and dense, like a weightier muffin, with a rich flavor from the flower water, sherry, and currants. I liked them best as madeleines because that shape provides the highest edge-per-bite ratio – the crisply browned edges are particularly tasty. They also made an excellent snack alongside our old favorite, carrot pudding.

IMG_4455

To make maccarons of valentia Almonds

Today’s Cooking in the Archives post is also published on ABO-Public: An Interactive Forum for Women in the Arts, 1640-1840. Check out a slightly longer version of this post here.

What do ladies bake? Ladies bake macaroons, tasty almond macaroons.

This recipe “To make maccarons of valentia Almonds” is from MS Codex 627 The delights for ladys: to adorne there persons beautyes stillyris banquits perfumes & wators. MS Codex 627 is designed to look like a printed book and includes a title page with the date 1655, a full table of contents, and a running header “The delights” on the verso and “for ladies” on the recto of on each opening. We’ve only worked with one other manuscript with these features in this project to date: MS Codex 625 where we found “Shrewsbury Cakes.”

Another important feature of this manuscript is obscured, rather than revealed, by our digital images: its size. It’s very small! It fits in the palm of your hand. It could be easily carried in a pocket. As such, it may have also been somewhat difficult to use in the kitchen. Many of the other manuscripts we’ve surveyed have been substantially larger and would be easier to prop open on a table for kitchen use.

Although this manuscript is specifically designed as a book for women, it was likely written by a man. After all, the volume is modeled on Hugh Plat’s Delightes for Ladies (1602) which you can read about in more detail here. The introductory letter, partially missing from the manuscript, is signed by a Jose: Lovett and the hand is consistent throughout. This led the Penn cataloger to suggest that this may be Lovett’s book and written in his hand. However, the back of this book contains a reverse recipe book in a few hands signed “Mabella Powell Her Booke.”

Regardless of who wrote the bulk of this book, Mabella Powell was an owner, composer, and reader of its recipes.

The Recipe

To make maccarons
of valentia Almonds

Take one pound of blanched al-
monds and beat them in a marble
mortor with a woden pestill and in
beating of them now and then
about 12 times drop into them
a sponfull of red Rose water and
and when thay are small beaten
put into them one li [pound] of fine suger
well beaten & searsed then take
one grane of muske and a little
amber greece or siuet and dissolue
it in a little Red rose water
and mingled well a mongst it
then take up your past into a faire
Silu[er] or pewter dish and spread
it with a spoone all ouer the
dish and set it in an ouen

—

when your bread is new drawne &
when it dryes and begines to looke
white upon the topp then stirr it
& spread it againe and soe use it halfe
a dozen times and within one halfe
quarter of an howre it will bee drye
enough then take the whits of halfe
a dozen new layd eggs and straine
them through a fine Cloth and beat
them alittle and then mingle them
with the almonds & suger & soe
with a little slice lay them upon
a sheete of pure whit papor & set
them in the ouen, the ouen being
then in the sme temper it was in
when bread was newly drawne out
of it, and lay under them for feare
of borning some plate or some such
thing and soe bake them and keepe
them for your use in some cobbord
or some box not farr from the
fire.

This is a fairly simple recipe and the method for cooking it is explained in great detail.  It’s rare to see such specific instructions for the oven heat or cookie storage. Beyond halving the quantity I made very few changes.

 Our Recipe

1 1/3 C ground almonds (1/2 lb)
rosewater (1-2 T total)
2 T butter
1/2 C sugar
3 egg whites, lightly beaten
Preheat oven to 350 F.

Mix ground almonds with 6 drops rosewater stirring the mix after each drop (approximately 1T total.) Melt butter with a drop of rosewater. Stir aromatic butter into the ground almonds mix. Stir in sugar.

Spread the mixture on a baking sheet and bake for 10 minutes. Check at 5 minutes and stir to ensure the edges do not burn.

Return the fragrant, toasted almond mix to a mixing bowl. Stir in 3 lightly beaten egg whites. A sticky dough should form. Line a baking sheet with parchment paper. Use a 1 tsp spoon to scoop this sticky mix onto your baking sheet.

Bake for 15-20 minutes or until the bottom of a macaroon is brown and the top is beginning to brown slightly. Allow to cool for 5-10 minutes before eating. Although they will smell incredibly tempting.

Ladies (and gentlemen) these macaroons are delicious. They are fragrant and nutty. When I served them at a holiday party, my guests simply devoured them. But they are just as nice to eat in a more solitary manner with a nice cup of tea.

Since I used store-bought ground almonds, I imagine my mix was much less oily than it would be if ground from fresh almonds. I added 2T of butter to restore that oil and compensate for not using greasy ambergris, suet, or musk as suggested. The recipe talks about slicing, but there was no way I could slice my sticky cookie mix.

While I think that toasting the almond mix deepened the flavor, I think you could skip that step if you were in a hurry or concerned about burning the mix. However, I think either baking parchment or very well-greased pan is essential to getting these cookies onto a plate in one piece.

Try them with whole almonds or ground, with orange blossom water or other spices.

to make a Brown Frickasey

As the end of November approaches each year, I get increasingly excited about two things: Thanksgiving turkey and the annual re-run of the “Poultry Slam” episode of This American Life. Like it or not, November and December are the very height of poultry season. Unsurprisingly, there are lots of recipes for cooking poultry in Penn manuscripts from making chicken pot pie and fried chicken (two ways) to numerous instructions for roasting.

When I cooked this recipe last Tuesday it was raining in southern California. It was a major news event out here. It was also one of the first dark, chilly, and damp days I’ve seen in ages. I decided to try a recipe “to make a Brown Frickasey” from MS Codex 252 and it was a perfect dish to warm the house and the belly.

The Recipe

frickasy

to make a Brown Frickasey

tak the Rabbits ore Chickens and cut them into littill pesses then set it
ouer the fire with a Littill butter and burne brown then flowre the meat
before you put it to the butter then put it in to fry it Brown and when it
tis brown put in some strong broth A couple of anchoves season it
with salt and pepper, mince some oynion and strowe it with some
parseley cut smalle you may put in some oyesters sweet breeads
Lamb sones and sausage meat let this stew well together better then
a quarter of an howre if it be not thick enough you may thicken it
with the yolks of too ore three Eggs then squese in the Juice of
Lemon and sarue it up

This is a simple and delicious recipe with lots of room for variation: Brown a delicious mix of meats in butter then add more meat, stock, and flavors. Ken Albala’s Cooking in Early Modern Europe, 1250-1650 describes a fricassee as a method for frying meat and adding a flavorful sauce. As this recipe demonstrates, it is a very flexible method that works well with poultry and other meats. I decided to use chicken breasts, pork sausage, and chicken stock, but I also could have faithfully followed this recipe using rabbit, oysters, sweet breads, or other offal.

Our Recipe

3-4 T butter
2 chicken breasts, sliced into 2-inch strips
4 T flour (for coating chicken)
1/2 lb. pork sausage meat (either sausage removed from its casing or sausage meat sold uncased)
1  onion, medium sized, chopped
4 anchovies, chopped
1 1/2 -2 c chicken broth
salt and pepper (to taste)
the juice of half a lemon
2 T chopped parsley

Lightly flour the chicken strips by rolling them in a plate or bowl of flour. Finish chopping the onion and anchovies and readying the sausage meat . Make sure your stock is also ready to go if you’re defrosting it or using a concentrated boullion preparation.

In a dutch oven or large pot, heat the butter until it melts, smells nutty, and starts to darken in color. Add the strips of floured chicken slowly. Don’t worry if all the chicken doesn’t fit at the beginning because the strips will shrink as they cook. Turn the meat over so that it cooks on both sides. When the outside of the chicken starts to brown, add the sausage meat and cook for 1 minute. Add the chopped onion and anchovies and cook for 1 minute more.

Add the broth and simmer uncovered for 15-20 minutes. When the gravy is thick and everything is well cooked, squeeze the juice of half a lemon into the stew. Sprinkle parsley on top. Serve hot.

Results

My spouse and I devoured this delicious stew with some roast butternut squash, kale salad, and a bottle of fine, west-coast IPA. It was warming and satisfying meal. We both picked additional mouthfuls of sausage-y chicken out of the pot after we’d cleaned our plates.

I started by browning 2 T butter and added about 2 more as the chicken cooked. The sauce thickened into beautiful gravy on its own. I used homemade chicken stock that I (try to) always keep in my freezer. Homemade stock from pork bones would also be a delicious addition. Store-bought or concentrated stocks will work well here, too. But be sure to taste the mix before adding additional salt.

I can see how this method of preparation would work well for a variety of poultry and other meat. The strips of chicken stayed tender and flavorful, but this would be great with dark meat chicken. I used peppery pork breakfast sausage meat from a local farm. I think a pork and sage or even a pork and apple sausage would work well here. Finally, the anchovies added an unexpected note that was more umami than fishy. I suggest that you give them a try if you’re an anchovy skeptic, but not if you absolutely despise these small, flavorful fish. The lemon adds an essential bright note that complements the fat and savory flavors of the dish.

 

 

Notes towards roasting a lobster

To take a break from roast poultry, I wrote about a recipe for roast lobster from MS LJS 165 for The Appendix Blog. You can click here to read the full post.

Since I haven’t yet tried the recipe and roasted a lobster in my own kitchen, this post does not follow our normal format. But I didn’t want you, dear reader, to miss out on a potentially delicious archival preparation for this mighty crustacean.  I’ve copied  my transcription of the recipe and a few notes below in case any of you are brave enough to give it a try. Let us know how it goes!

We’re working on some tasty holiday recipes to share with this season. Until then, consider roasting a lobster. Or give this brilliant Financial Times article about cooking traditional Christmas dishes with food historian Ivan Day a read.

roast lobster

To Roast a Lobster
Take Lobsters alive tye them to a spitt with tap[e]
when they begin to be hott baste them with white wine
Vinegar, & salt mixt, when turn red baste them with
butter very well & still as they dry baste them as l[on]g
as they roste, you may know when enough by the
gravy. when leaves dropping they are enough –

sawce see below
—
Sawce for Lobsters
1/2 pint white wine or to your quantity put in some swe[et]
hearbes 2 anchovis a litle horseredish a litle lemonpeal
& onion boyle it well then take out the time & oinion & put
some grated nuttmeg the gravy of the Lobsters and then
boyle it again & stirr in a good pees of butter, if
they are large they will be 2 howres aroasting

Tied to a stake, the lobsters are roasted over a fire and basted with butter for approximately two hours. An accompanying white wine and butter sauce, seasoned with anchovies, horseradish, lemon, onion, and nutmeg, complements the rich flavor of the lobster itself.

Desart Cakes

King Arthur Flour’s Magazine Sift featured a version of our recipe here.

I’m a baker. I enjoy cooking – even more so now that we’re back in soup season – but to me there’s something special about the precise measurements that produce a perfect chocolate cake, the fiddly steps of making italian meringue frosting, the flexibility of quick bread recipes, the scooping and rolling of cookies. So I’m especially interested in the many recipes for baked goods scattered throughout the archive of recipe books we’ve been exploring. These “Desart Cakes” caught my eye – what characterizes a dessert cake? Is it not a cake but, like the snickerdoodle-esque Shrewsbury cakes, what we think of as a cookie? Could they even make the cut for my holiday cookie gift bags?

The recipe comes from UPenn Ms. Codex 1038, a fairly general compilation of recipes put together through the late eighteenth and early nineteenth centuries. This particular recipe was probably written down before 1793. Marissa also whipped up and enjoyed a batch of lemonade from the same volume here. (In fact, these recipes occupy facing pages. Lemonade and cookies, anyone?)

The Recipe

desart cakes

To make Desart Cakes.

Take a pound of flower, half a pound of Sugar, One Ounce of

Caraway Seeds, make it into a Stiff paste with Cream, and Roll’d

out as thin as the finest paper and pricked full of holes or they will

Blister, then put them on tins, which you must Butter & observe

when they are Baking to take them out of the Oven as they Brown //

as they will not all Brown together — a Moderate Oven is best.

Our Recipe

[If I’m not sure how a recipe is going to turn out, I like to avoid making an enormous quantity of it. Cookies make that easy: here, I halved the recipe. which yielded 44 2″ cookies. Plenty!]

1/2 lb. flour

1/4 lb. sugar

1/2 oz. caraway seeds (about 3 tsp.)

1 1/4 c. heavy cream*

optional: 1/2 tsp. vanilla**

In a mixing bowl, stir together the dry ingredients. Stir in the vanilla and the cream about 1/2 c. at a time, incorporating it thoroughly before adding the next pour. (A wooden spoon works nicely here.) The dough should start to hold together in a shaggy mass damp enough to be squeezed gently into an elastic, cohesive ball. (It shouldn’t be so damp that it sticks to your fingers at all – this isn’t a particularly messy dough. If this does happen, just add a touch more flour.) ]

Preheat oven to 350F.***

Divide the dough into halves or thirds for rolling out easily. Lightly flour your surface and rolling pin; you won’t need too much flour, but repeat the step often to avoid sticking. Roll to about 1/8″ thickness – thinner if you can since the dough shrinks back slightly once on the cookie sheets. Cut out dough with any cookie cutter**** and place on a baking sheet. (I lined mine with parchment paper.) Bake for 10-12 minutes, removing cookies as they brown around the edges. Cool on a rack – and try not to eat one as soon as it’s semi-cool!

NOTES:

*How much cream to add: I added 1/2 c. to start with and then more in 1/4-c. increments until the dough held together and felt slightly elastic when squeezed in a handful. My dough was wetter than biscuit dough or pie crust, for example. It should be wet enough to hold together easily without bits crumbling off but not so sticky that it adheres to your hands.

**Adding vanilla: I thought vanilla might add some nice depth of flavor with the caraway seeds, and I think I was right. In fact, next time I might add the full teaspoon. You could also try almond extract, orange extract, or skip the extract altogether. Or even switch out the caraway seeds for poppy seeds and toss in some lemon zest. It’s a flexible recipe.

***Baking temperature: I baked one sheet at 325F for 14-16 minutes and another at 350F for 10-12 minutes. I didn’t notice any difference in browning or in crispness produced by the different temperatures, so less time at 350F should be fine. You’ll start to smell the cookies when they’re nearly done; I removed them from the oven when golden-brown on the bottom and slightly browned around the edges. I also forgot to prick holes in the first tray (oops). I did add them to the second but didn’t note any difference (or “blistering”); feel free to stab them a few times with a fork if yours seem to be puffing up.

****Cookie cutter: I chose and liked a 2.5″ biscuit cutter with fluted edge, but most shapes would work, as would the top of a drinking glass. As mentioned, the dough does shrink a bit on the cookie sheet and then in the oven – none of my circles baked up to be perfectly even, and the caraway seeds make for somewhat ragged edges, so avoid any intricate shapes.

The Results

I thought these might be bland – inoffensive, sure, but not particularly tasty – and so was pleasantly surprised at how much I enjoyed them. They’re nicely crisp (rolling them “as thin as the finest paper” really does produce the best result), sweet without being cloying, and flavorful from the caraway seeds. Plus, they smell incredible while baking! I ate the first few with a cup of tea … and then a few more later on with a glass of wine … and then a few more for breakfast the next morning in a pinch. If you like caraway seeds, you’ll like these. And if you don’t like caraway seeds, you can still like these cookies by swapping them out for poppy seeds or another variation. I might experiment with adding in some ground almonds or pistachios. (If you do some experimenting, please report back!) And indeed, some of these might even make their way into my holiday cookie rotation.

A tarte of green pease

This is the recipe book that started it all: At a meeting of the Penn Paleography Group almost five years ago we transcribed a few recipes from MS Codex 1601. In the process of deciphering the handwriting of this recipe, and others from the volume, I became very curious about what on Earth “a tarte of green pease” would taste like. While peas, especially fresh spring peas, have a delightful sweetness, I was intrigued by the mix of sweet and savory ingredients in this tart.

The Recipe

green pease

To make a tarte of green pease

Take green peas & seeth them tender
then poure them out into a cullender, season
them with safron, salt & sweet butter
& sugar, then close him then bake itt
almost an houre, then draw itt forth
& ice itt, putt in a litle wergice; & shake
itt well, then scrape on sugar & serve itt.

This recipe is made from fairly common ingredients, but it includes no measurements. We approximated all our ingredients to make one small tart. The most surprising ingredient in the list is “wergice,” which we think is an alternative spelling for “verjuice,” a bitter liquid made from young grapes that was also called for in our Could Possett recipe. Like before, we used lemon juice instead to add an acidic sourness to the recipe.

Our Recipe

2 c. peas
1 sheet puff pastry (homemade or store-bought and defrosted)
juice of 1/2 a lemon
2 T unsalted butter, cut into small pieces
2 t sugar, plus some to sprinkle on the top
1/4 t salt
pinch saffron

Cook the peas. If you’re using fresh peas, remove them from their pods, blanch them in boiling water for about a minute, and refresh under cold water immediately. If you’re using frozen peas, cook them according to the instructions on the package. We used frozen peas and they worked well.

Season the peas with the lemon juice, butter, sugar, salt, and saffron. Taste and adjust seasoning as needed.

Roll out the puff pastry. We folded the pastry into a rustic galette. You can also line a tart pan and reserve strips or a second sheet to cover the peas.

Add the pea filling to the puff pastry and fold or cover. Sprinkle sugar on top of your tarte. (An egg or milk wash on the top would be a nice touch as well.)

Bake at 350 F for 30 min or until the pastry is golden brown. Slice and serve.

Results

Perhaps not surprisingly, the “tarte of green pease” was somewhere between a dessert and a main course. The peas were both sweet and vegetal, the seasonings bright and savory. While I confess that it was not my favorite dish we’ve prepared over the course of this project, the taste was certainly unique. The starchiness of the peas made me feel like the dish was lacking an essential element and I wanted  to include other ingredients in the pie itself or on the side.

Since there are no measurements in the original recipe, we think this is a great opportunity for experimentation. With a few alterations, we think this recipe could be transformed in either a sweet or savory direction. To make it into a true dessert we would add more sugar and serve this tart with a side of vanilla ice cream. To turn it into a savory side-dish we would cut out the sugar altogether and instead add caramelized onions or shallots to the mix. The savory version might accompany roast squash, spicy baked tofu, or a roast chicken.

 

Lemonade

In August I moved to southern California from Philadelphia. Yes, dear readers, while Alyssa and I are still posting recipes we cooked together this summer, still scouring the manuscript archives at Penn in person and through digital surrogates, still scheming up delightful things to cook and share, we’re no longer working side-by-side in the kitchen. To cope with this change and steel myself for an October heatwave in the triple digits, I decided to start my weekend by making lemonade from a recipe in MS Codex 1038.

The Recipe

lemonade

To Make Lemonade.
Hamers-
ley

Boil One Quart of Spring Water, let it stand ’till it is
Milk Warm. Pare five clear Lemons very thin and put the
parings in the warm water. Let it stand all Night, the next
Morning strain off the peel thro’ a fine Lawn Sieve, Squeeze
the Juice of the five Lemons. Strain it and put it in the
Water, put in Eleven Ounces of double Refin’d Sugar, One
Spoonfull of Orange flower water. Mix these well together,
it will be fit for use.

This recipe is wonderfully lazy: Infuse the water with lemons overnight, sweeten and season it in the morning. Sip lemonade all day. Repeat.

I think that there are two valid ways to interpret this recipe’s instructions for preparing the lemons. Both interpretations depend on how one defines the verb “pare.” This recipe is from the eighteenth or early nineteenth century and according to The Oxford English Dictionary “pare” was used around this time to describe both slicing and peeling fruit. Here are two approximate paraphrases of the text above:

1) Slice five lemons very thinly and add the slices to the warm water. Strain mix in the morning. Squeeze any remaining juice from the lemon slices into the mix.

2) Peel five lemons and add the peel to the warm water. Set five peeled lemons aside. Strain mix in the morning. Squeeze the juice from five peeled lemons into the mix.

I decided to proceed with the first interpretation, but I’d be curious to hear from any readers who try the other method of preparation.

I was also curious about the recipe’s specification for “clear lemons.” Other historical recipes like the ones on this blog also require clear lemons. I turned to the Oxford English Dictionary again and found that “clear” was increasingly becoming a synonym for “unbruised” or “unblemished” around the time this recipe book was compiled. Following suit, I selected the best lemons I had on hand for this recipe.

In the past I’ve purchased useful and cheap ($2) orange blossom water from various Indian grocery stores to use in baking and cocktails. My choice to fix this recipe this weekend was partly inspired by finding a bottle of it in my local cheese shop. The Nielsen-Massey Orange Blossom Water is a bit stronger than other floral waters I’ve used in the past and it hold up to the acidity of the lemons in this recipe.

Our Recipe

5 lemons, sliced

1 quart water

11 ounces sugar (1 1/2 c) – or to taste

1 T orange blossom water

ice and/or sparkling water to serve

Day 1:

Boil a quart of water and set aside to cool. Slice five lemons as thin as possible. Let the water cool until it is warm to the touch, but no longer scalding. Add lemons, cover, and let sit overnight.

Day 2:

Strain the lemon mix and squeeze remaining juice from the lemons. Reserve a few slices to garnish your lemonade. Stir in the sugar. Add the orange blossom water.

When I first tasted the unsweetened, electric yellow lemon infusion it was delightfully tart. Normally I don’t like my drinks *too* sweet and I often adjust the amount of sugar in recipes accordingly, but the mixture was so strong I decided to use the full amount this time. The finished lemonade was syrupy and very, very sweet. To my taste, the citrus and floral notes were a bit overwhelmed by the sweetness. With a few ice cubes and a lemon garnish it was much more refreshing. After sipping half my glass, I added a generous pour of sparkling water and found my perfect version of this lemonade. In the future, I might halve the sugar instead.

Still, this lemonade greatly improved my steamy Saturday. If the heat wave holds on for much longer, I might try it again with variations adding like thyme, sage, rosemary, mint, or lemon balm from my garden to the initial infusion, or even swapping out the orange blossom water for rose water.

My Lady Chanworths receipt for Jumballs

 

CookingArchives-4184

Photo by Carley Storm Photography http://www.carleystormphotography.com

It’s high time that we talk about jumballs. We were initially mystified by the moniker, but jumballs are a classic early modern treat: A rich, satisfying, highly-spiced, shortbread cookie. They are the single most delicious thing we’ve cooked from the archives to date.

Even a quick search to define the term revealed the jumball’s long-term popularity, from Gervase Markam’s classic English Housewife (1649) to the iconic Mrs Beeton’s Book of Household Management (1888), with examples on many other historical cookery sites like this one. The Oxford English Dictionary generalizes among the range of different spices and methods in these various recipes to define early modern jumballs as a “kind of fine sweet cake or biscuit, formerly often made up in the form of rings or rolls.”

In LJS 165 there are two recipes for jumballs back to back: “To Make Jumballs / My Mother Anges receipt” and “My Lady Chanworths receipt for Jumballs.” We thought that the first recipe’s mention of the compiler’s mother (or another source’s mother) was a poignant look into the perennial practice of handing down knowledge from mother to child, most likely mother to daughter. But the final instruction in that first recipe — soaking the baked jumballs in vinegar overnight — was not especially appealing, although it is very likely an excellent method for preserving the biscuits.  Besides, who among us can take delicious cookies out of the oven and not eat them immediately? We decided to prepare the second recipe instead: “My Lady Chanworths receipt for Jumballs.” (If any readers try the alternate recipe, we’d love to hear how it turns out.)

The Recipe

jumballs

My Lady Chanworths receip[t  for] Jumballs

Take one pound of shuger, one pound & a halfe of fflower, two
spoonfull of Carraway seeds, mix them well & a quarter of a sponfull
of Coriander seeds one pound of Butter melted with 2 spunfulls
of rose water, put to that the yolkes of 4 Eggs beaten
and worke all to a fine paist with a quarter of a pound of Almons
finely beaten worke all these together like bisket roles
and bake it after browne Bread

Like other sweet and savory recipes from the period, this recipe uses fragrant whole caraway and coriander seeds enlivened by aromatic rose water, the richness of egg yolks and butter, and the deep nuttiness of ground almonds. Other than halving the quantities in the recipe (which still made a lot of cookies) we’ve made no changes to the dough mix and simply reformatted the instructions into a modern style below.

Now, there are a wide variety of ways to shape jumball dough before baking. Recipes call for twisting, rolling, slicing, and folding. Given the texture of the jumball dough in a very hot kitchen (summer in Philadelphia) we decided to follow a classic shortbread method and to roll our dough into a long log, slice cookies 1/4 inch thick, and bake them. (If you try this recipe and shape them differently, send us a photo!)

Our Recipe

*Halved from the original. We also used a baking scale for this one, but we’ve included approximate volume measurements.

1/2 lb sugar (1c)
3/4 lb flour (2 3/4 c)
1 t caraway seeds
1/2 t coriander seeds
1/2 lb butter, melted (2 sticks or 16 T)
1 t rosewater
2 egg yolks, beaten
1/8 lb ground almonds (generous 1/2 c)

Preheat oven to 350F.

Mix flour, sugar, and spices in the bowl of a stand mixer (or a large bowl if mixing by hand). Add melted butter, rosewater, egg yolks, and ground almonds and mix until a uniform dough forms.

Place dough on a lightly floured surface and shape into cookies. We did this by rolling the dough into a log and slicing 1/4 inch cookies, but there are many other ways to shape this kind of dough.

Bake 20 minutes or until brown around the edges. Cool on a rack before devouring, if you have the willpower.

Results

They don’t look like much when you lift them onto the cooling rack (does shortbread ever look impressive?). But the aroma of spice and sweet gives it all away.

Jumballs are truly delicious. Their balance of nut and spice, fragrance and buttery texture is divine. They’d hold their own in a spread of cookies. We’ve since learned that they pair well with Italian Cheese, but we suspected from the beginning that they would complement vanilla ice cream, custard, fresh fruit, or a simple cup of tea.

When we shared these with unsuspecting friends they were bowled-over by the surprising and delightful presence of coriander. And their first guess was that we’d found the recipe on one of the latest trendy food blogs, not through this archival project. We’ll be making these again.